The full programme

Beginner + Intermediate.

Both MoiraiOnline levels in a single programme. From the Lumière brothers' documentary observation to a finished script for your own short — no gap between levels.

24 modules
30 lessons
4 tracks
$749 cohort up to 10 · 2 lessons/week

What's inside

Modules.

  1. 01

    Lumière Frame

    Directing 1 lesson Homework

    A dive into the origins of cinema through the practice of observing everyday life and mastering the fundamentals of frame composition.

    Concepts: Birth of cinema · the Lumière brothers · cinematograph · static camera · observation

  2. 02

    Méliès Frame

    Directing 1 lesson Homework

    Encountering the magic of early cinema through the first experiments in editing, the history of visual effects, and the search for unexpected visual solutions in ordinary scenes.

    Concepts: Georges Méliès · basic editing · primitive visual effects

  3. 03

    Frame Composition

    Directing 2 lessons Homework

    Mastering the key principles of building a frame: placing objects and subjects within screen space, working with shot sizes, and the rule of thirds.

    Concepts: Shot sizes · rule of thirds · horizon line · symmetry

  4. 04

    Kuleshov Effect

    Directing 1 lesson Homework

    An introduction to the art of editing through Kuleshov’s famous experiment: how the order of shots shapes the viewer’s perception of a story.

    Concepts: Kuleshov effect · puzzle · perception

  5. 05

    Monologue, Voice-Over, Narrator

    Directing 1 lesson Homework

    The role of voice-over in cinema: its functions, possibilities, and ways of building narrative with it.

    Concepts: Voice-over · use in fiction/non-fiction · reliable/unreliable narrator

  6. 06

    Dramaturgy Basics + Three-Act Structure

    Scriptwriting 1 lesson Homework

    Mastering the classical three-act structure as the foundation of storytelling: from setup through development to the story’s resolution.

    Concepts: Three-act structure · dramaturgy · timing · story development · narrative pace

  7. 07

    Characters — Protagonist, Antagonist

    Scriptwriting 1 lesson Homework

    Creating convincing main and supporting characters through deep work on their psychological and visual portrait.

    Concepts: Protagonist · antagonist · supporting characters · personality · communication style · backstory · visual portrait

  8. 08

    Monologue and Dialogue in Screenwriting

    Scriptwriting 1 lesson Homework

    We explore the difference between monologue and dialogue and their role in narrative.

    Concepts: Monologue · dialogue · function within narrative

  9. 09

    Sound Editing

    Editing 1 lesson Homework Video

    A practical introduction to film sound design tools: working with free sound libraries, selecting royalty-free SFX and music, basic audio effects and transitions.

    Concepts: sound editing · sound libraries · royalty-free · SFX · BGM (background music) · audio effects · volume meters

  10. 10

    Editing by Shot Size

    Editing 1 lesson Homework Video

    Reinforcing knowledge of shot sizes and practicing how to alternate them in editing software.

    Concepts: long shot · master shot · medium shot · close-up · extreme close-up / detail shot

  11. 11

    Intro to Video Editors (CapCut / Premiere)

    Editing 2 lessons Video

    A first encounter with a video editor: learning the interface, organizing material, working with the timeline, adding titles, and final rendering.

    Concepts: Adobe Premiere · CapCut · bins · timeline · rendering · audio and video formats · fade-in / fade-out · credits

  12. 12

    Dialogue — “Eight” Coverage, Conflict, Resolution

    Directing 1 lesson Homework Video

    Mastering the technique of shooting dialogue scenes: camera positioning, working with the actor on camera, and exploring unconventional approaches to dialogue.

    Concepts: “Eight” coverage · conflict · resolution

  13. 13

    Chase — Dynamics, Action Editing

    Directing 1 lesson Homework Video

    An analysis of iconic chase scenes through the lens of rhythm, action editing, the role of music and obstacles — understanding the chase as a self-contained mini-story.

    Concepts: Chase · obstacles · pursuer and pursued · speed factors

  14. 14

    Short Film — Pitching

    Directing 2 lessons Homework

    Pitching practice for a short film: the ability to present an idea, defend it under questions, and constructively receive criticism.

    Concepts: Pitching · synopsis · idea · Q&A

  15. 15

    Working with the Actor — Casting, Read-Through, Shoot

    Directing 2 lessons Homework

    From casting to set. Types of actors and what to expect from them, how to conduct auditions, why read-throughs matter, and how to give direction that actually works.

    Concepts: Types of actors (professionals / students / non-professionals) · portfolio · casting

  16. 16

    Working on Yourself — Director’s Skills, Department Interaction

    Directing 1 lesson Homework

    A director’s psychology before and during a shoot. How to build authority, speak the right “language” with crew and actors, manage conflicts, and avoid burnout.

    Concepts: Director as manager · communication with departments · conflict management

  17. 17

    Directing as a Non-Creative Profession — Pre/Prod/Post

    Directing 1 lesson Homework

    The director as a manager. Realistic pre-production timing, what really happens on set, and why most first films fall apart specifically in post-production.

    Concepts: Pre-production · production · post-production

  18. 18

    Shooting Script — What It Is and Whom to Coordinate With

    Directing 1 lesson Homework

    What a shooting script is and why it is not the same as a screenplay.

    Concepts: Shooting script · shot type · camera movement · editing transition · technical notes for departments

  19. 19

    World-Building — Lore, Environment, Atmosphere

    Scriptwriting 1 lesson Homework

    Creating a convincing story world through lore and atmosphere using environment and visual surroundings.

    Concepts: Location · lighting · weather · color palette · ambient sounds

  20. 20

    Final Script — Structure and Final Version

    Scriptwriting 1 lesson Homework

    Final polishing and approval of the script with a check of its structure and production readiness.

    Concepts: Drafts (first to final) · finalization · revisions

  21. 21

    10 Principles of Editing

    Editing 3 lessons Homework Video

    A study of ten key principles of video editing based on Alexey Sokolov’s system.

    Concepts: Editing by shot size · spatial orientation · direction of movement · phase of moving objects · tempo · composition · light · color · axis shift

  22. 22

    Final Editing Exercise

    Editing 1 lesson Homework

    A practical consolidation of the ten editing principles.

    Concepts: Editing by shot size · spatial orientation · direction of movement · phase of moving objects · tempo · composition · light · color · axis shift

  23. 23

    How to Budget a Film

    Producing 1 lesson Homework

    When to start counting money, how to research the market, which expenses beginners always forget, why a 15% reserve matters, and how to pay people without losing their trust.

    Concepts: Maximum estimate · market research · hidden expenses · reserve

  24. 24

    Locations, Props, Payments

    Producing 1 lesson Homework

    The practical side of production. How to find and secure locations, work with props and costumes, and why financial disorder destroys a shoot faster than anything else.

    Concepts: Locations · shooting permits · props · costumes

Beginner + Intermediate.

The full programme — from your first exercise to a finished short-film script. All 24 modules — both levels in one purchase, with a discount versus buying separately.

Apply to the full programme